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Saturday

Riding Clean?

Well, is he?  Chris Froome that is, the Keynan-born Britton who will ride into Paris tomorrow to claim his second Tour De France victory.  I don’t know and I’d be none the wiser if his ‘power data’ or his blood passport were released in all honesty.

His race winning destruction of the field on stage 10 was probably the moment when the questions came into focus.  As the post-Armstrong saying goes ‘if it’s too good to be true, it probably is’ and that’s been Froome’s problem.

Cuttings, volume 2

The late, great Ray Lowry, from the pages of the NME...


Monday

Sad, but inevitable news

The announcement of Iain Banks passing was hardly unexpected.  Banks' had announced he was terminally ill two months ago with typical self-deprecating humour; 'I am Officially Very Poorly' was the opening line of that statement.

The news still made me sad, Banks' twisted storytelling has been a constant in my life since reading 'The Wasp Factory' more years ago than I care to recall.  I've already said my piece on what Iain Banks meant to me here.

I was watering the plants when I heard the news and right after the bulletin came Public Image's 'Rise'.  Somehow it felt right.  It always was a fine song, now it will be inextricably linked in my mind to a fine writer too.

I'll miss both of him.



Wednesday

Only one destination

Heading for home today, I switched off the radio rather than listen to wall to wall coverage of the State funeral of Saint Margaret (OK, I know it wasn't technically a State funeral, but you get the point) and reached for the MP3 player.  And up came this little, rather appropriate, gem...

The Final Taxi

I have no idea why that won't load as a video, so here's a more recent official Wreckless video, courtesy of the man himself

 

For a more pointed response to us coughing up an alleged £10million for the whole business, you could do worse than go here for Pete Wylie's take on it all.


Sunday

Cuttings volume 1

The first of an occasional series, 


of completely random cuttings, that for no logical reason I seem to have collected from old music rags - back in the days when they turned your fingers black.

There was also a great 'Top 5 Lemmy sayings' I remember from around the same time, featuring, among others, "'Ere, this fruit machine's knackered".  Which, given the fact that I once saw him spend an entire evening on the fruit machine in the Marquee - at least it appeared that way - seems quite believable to me. 


Saturday

Thursday

Wilko Johnson - the last encore


I still can't quite see how he does it!

Was lucky enough to catch Wilko's last show at the Robin 2 in Bilston, see here for a full review at Louder Than War, but here's a couple of pics, from a memorable night:





 

Tuesday

The Damned & The Dickies... oh yes it is!

Cap 'n' Dave are waving bye bye
 

Stan Lee being a Dickie




















Two for the price of one.  Read a full review of their recent Birmingham gig, with additional pictures, here at Louder Than War.

Feel free to leave a comment!

Brian James Grand Cru

It seems only fair to give a bit of a mention to Brian James 2012 album release.

Sneaked out without fanfare amid the 35th anniversary of 'Damned, Damned, Damned', his 'Chateau Brian' set is as far away from an anniversary cash in as it's possible to get. 

If anyone had a right to cash in on 'Damned, Damned, Damned', it's James.  After all he wrote the damn thing!

But no, the original Damned guitarist has been going his own way for a long time and this album is little more that James' acoustic guitar and piano for the most part.  It's a fairly mixed bag - James has for a long time been a great guitarist in need of a singer & lyricist.

But anyone who was lucky enough to see him reprise his old 'Damned, Damned, Damned' material a couple of years back at The 100 Club will know he remains a fine player and nobody plays 'Damned, Damned, Damned' quite like Brian James.

You can hear tracks from 'Chateau Brian' here.  

Monday

12 for 2012

Top albums of the year lists... is it just me or does it get progressively more difficult as the years blur together?

Handily, Killing Joke have anticipated the problem for me with 2012.   So that’s on the list then.

Let’s see

1.    Killing Joke – 2012
It sounded like it might be a bit close to concept album territory from the publicity and all the usual corruption and ecological collapse themes are well to the fore here, on one of KJ’s most coherent sets.  Like a fine wine KJ just get better with age.

2.    Jim Jones Revue – Savage Heart
Brilliantly delivered manical rock ‘n’ roll.  Perhaps not quite the equal of ‘Burning Your House Down’, but let’s face it, that was some act to follow.

3.    Guile – Alone On The West
Marvellous dark psychedelic debut trip from the criminally under-rated Staffordshire band.

4.    Stranglers - Giants 
At its best, as good as anything from the band this side of the millennium.

5.    Mark Lanegan Band – Blues Funeral
Most rounded effort yet from the man most likely to appear on someone else’s album.

6.    Barry Adamson – I Will Set You Free
Uneven, but when it’s good, it’s far more satisfying that Magazine’s own 'Know Thyself' return.

7.    Brian James Grand Cru – Chateau Brian
The other side of the 35th anniversary of ‘Damned, Damned, Damned’ – the man who wrote those riffs in reflective mood, with little more that an acoustic guitar and piano. Somewhat erratic, but worth it for '
Crawlin' My Way Back Home'.

8.    Peaking Lights – Lucifer Dub
After two pleasingly blissed out bass driven pop albums this venture into dub territory, was the logical next step and with it Peaking Lights appear to have made the album that's been lurking within them all along.

9.    Iggy Pop – Apres
Iggy Pop sounding far more comfortable rumbling through a set of easy listening standards, that being a Stooge and following up some of the finer moments from 'Avenue B'.

10.    Jah Wobble & Keith Levine – Ying & Yang
It’s difficult not to like anything with that internal organ shaking bass, and here Wobble & Levine have come up with a far more interesting album than PiL’s ‘This Is PiL’.

11.    Meteors – Doing The Lords Work
You know what you’re getting with The Meteors.  That doesn’t make it any less welcome.  When you can play a guitar like Paul Fenech, this is what you should be doing.  Not sure about their cover of ‘Paranoid’ but time spent listening to Fenech play guitar is never wasted.

12.    The Orb and Lee Perry
Worth a mention, just for the wonderfully bizarre partnership.  Working with The Orb makes Lee Perry look like a regular guy.  Well, almost...

13.    Joy Division – Warsaw
Not new.  Not from 2012 and not even an official release. But inspired by catching Peter Hook’s The Light, I went back to this album, one I probably hadn’t heard in years, and found it stands up rather well.

Bubbling under;
Stan Ridgeway – Mr. Trouble; clearly being indulged in the hope he turns into Tom Waits,
Brian Jonestown Massacre –
Aufheben; more drone rock par excellence.

Push comes to shove, Killing Joke, Mark Lanegan Band and Guile make the top three, in no particular order.  

But overall I'm going with 'Blues Funeral' as the stand out album of 2012.


Sunday

Man at work...and play

Putting in a shift in Birmingham

Killing time at a well known shopping emporium

If only all jobs were like this!

The top picture is one of an exclusive set taken for a forthcoming review for Louder Than War, the bottom one was one posted on Twitter by the Captain, (a self portrait?) from his day off in the Second City.

Wednesday

No Buts, with The Ruts

After an enforced break, just tying up a few loose ends...

The result of a long and by turns, hilarious, poignant and uplifting conversation with Dave Ruffy and Segs from The Ruts DC was published by Louder Than War a while ago now.  You can read it here.  But I must also mention a companion piece by Philip Thompson who got the short straw of having to come up with a different interview only a week or two after I'd covered all the obvious stuff.

Credit where it's due, Philip pulls it off.  And his picture's are better too!

Saturday

Return of the Ruts DC

Really looking forward to catching the Ruts DC tonight, previewed here on Louder Than War.

Which is as good an excuse as any to post this curiously affecting video of The Damned's Limit Club, which was of course written about the late Malcolm Owen.

 

Thursday

Icelandic death art rock

Happened to catch Dead Skeletons at The End (the old Bar Academy), with the mighty Guile, the other night.

Here's a couple of pics...



Wednesday

You couldn't make it up

That used to be a favourite phrase of Kelvin MacKenzie's.

Kelvin used to be the editor of the Sun newspaper in the 1980's.  Notoriously he chose to run a story in the aftermath of the Hillsborough tragedy, under the headline 'The Truth', making lurid claims about the conduct of the Liverpool fans on that day 23 years ago.  It wasn't any kind of truth and the city of Liverpool has never forgiven him.

Now, it appears, Kelvin has instructed his lawyers to write to South Yorkshire Police seeking an apology for the 'personal vilification' he's suffered, because, as we now know, it was South Yorkshire Police who were the source of that Sun story.

Kelvin claims that many other publications picked up the same story and is now wondering why the Sun was singled out.  Well it might have something to do with other newspapers deciding to check their sources, finding they couldn't substantiate the Police's claims and treating the story very differently, Kelvin.  Just a guess...


Tuesday

Happened to catch a rather splendid psychedelic wig out by Moon Duo on Radcliffe and Maconie's 6Music programme earlier today, called 'Circles'.

Couldn't find it on a quick shufti round the 'net, but I did find this...


More of the same, which is no bad thing.  It's easy to see why Mark Radcliffe suggested Suicide-lite and Spaceman 3, although there's also a hint of Iggy & the Stooges in there, or perhaps that's just the one note piano, which is very reminiscent of 'Now I Wanna Be Your Dog'.

Clearly mining the same seam as fellow travelers Wooden Shjips, (which is no surprise as Wooden Shijps guitarist Ripley Johnson is in fact half of Moon Duo, along with Sanae Yamada).  It appears West Coast psychedelia is alive and well in San Francisco. 


Friday

Rant no.1


A Passing comment on the Vuelta a España.  Best Grand Tour of the year, by a distance.  An absolutely mad course, with ten mountain top finishes.  Far more compulsive viewing than the Tour De France (not withstanding Wiggins win), and yet... 

This really isn’t sour grapes, but, just when cycling seemed to be getting its self-respect back, we have riders who have served drug bans filling two of the three podium spots in Madrid.  Hmmm.  Unfortunately it seems that in some countries getting caught doping is still seen as little more than an occupational hazard, and too many riders feel they can come back as if nothing has happened, other than being unlucky enough to get caught out.

Which I suppose makes David Millar’s long and loud criticisms of the doping culture he himself succumbed to before coming back to ride clean, all the more commendable.  There, it’s not sour grapes, honest.

[Climbs off soapbox and exits stage left]

Rant no.2

Back on the soapbox with a plea to the director of BBC’s generally splendid Match of the Day:  Will you please make up your mind about your graphics?

If it’s not bad enough that substitutions are now announced merely by a caption in the bottom left hand corner of the screen while play continues, now it seems we have to cope with not one, not two, but three different graphics to introduce the teams, and if we’re lucky the system they’ll play, as the start of the game.

First up we’ll get a full screen line up and system type graphic while Motty, Pearcey or whoever witter over it, telling us who’s in who’s dropped to the bench and who’s got a groin strain.




Fine.  Absolutely nothing wrong with that.  So we’d better change it then.

Rant no.3

OK, I’m on very dodgy ground here, taking a pop at Chris Boardman – a man whose forgotten more about cycling than I will ever know.  Since breakfast.

But he recently appeared on BBC radio 5Live’s breakfast show and seemed to dismiss the wearing of helmets and high visibility clothing as valid safety precautions when discussing  British Cycling's road safety campaign.

Arguing that we need a cultural shift in the UK, Boardman said; “The emphasis shouldn’t be just on the cyclist. We’re creating a symptom without looking at the cause. If someone gets shot on the street, the answer isn’t that everyone should wear body armour. You say – ‘hang on a minute, maybe we need to look at the reasons behind this?’.”

The key word there is ‘just’.  Of course road safety is more than just down to cyclists and yes I would love us to follow the Dutch and Danish examples of legislation that puts far more emphasis on car drivers’ responsibilities.  But as a regular urban cyclist I do my best to be seen and be safe.  In exchange for which I would like not to be ignored, cut up, forced off the road and abused by drivers about non-payment of mythical long abolished taxes on a regular basis.

Cycle lanes, legislation and sensible speed limits would all be welcome.  But there are a lot of roads in Britain and a lot of car driving voters, so I think we know how likely it is that we’ll see cycling lanes or new speed limits anytime soon.

So while I’m all in favour of campaigns like this one and really hope that we can affect a sea change in British transport policy and learn from the Dutch and the Danes, I’m not hanging up my helmet just yet.

After all, no cyclist chooses to crash into a car.  We tend to come off worst!

[Falls off soapbox and abandons ranting]

Thursday

Never mind the shopping bags...

here's the Ramones.

Some fantastic footage from their legendary New Year's Eve 1977 show at the Rainbow.


This was the gig that went on to be released as 'It's Alive', quite possibly the most perfect live double album ever.

Absolutely wonderful.