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Showing posts with label Mark Lanegan Band. Show all posts
Showing posts with label Mark Lanegan Band. Show all posts

Monday

12 for 2012

Top albums of the year lists... is it just me or does it get progressively more difficult as the years blur together?

Handily, Killing Joke have anticipated the problem for me with 2012.   So that’s on the list then.

Let’s see

1.    Killing Joke – 2012
It sounded like it might be a bit close to concept album territory from the publicity and all the usual corruption and ecological collapse themes are well to the fore here, on one of KJ’s most coherent sets.  Like a fine wine KJ just get better with age.

2.    Jim Jones Revue – Savage Heart
Brilliantly delivered manical rock ‘n’ roll.  Perhaps not quite the equal of ‘Burning Your House Down’, but let’s face it, that was some act to follow.

3.    Guile – Alone On The West
Marvellous dark psychedelic debut trip from the criminally under-rated Staffordshire band.

4.    Stranglers - Giants 
At its best, as good as anything from the band this side of the millennium.

5.    Mark Lanegan Band – Blues Funeral
Most rounded effort yet from the man most likely to appear on someone else’s album.

6.    Barry Adamson – I Will Set You Free
Uneven, but when it’s good, it’s far more satisfying that Magazine’s own 'Know Thyself' return.

7.    Brian James Grand Cru – Chateau Brian
The other side of the 35th anniversary of ‘Damned, Damned, Damned’ – the man who wrote those riffs in reflective mood, with little more that an acoustic guitar and piano. Somewhat erratic, but worth it for '
Crawlin' My Way Back Home'.

8.    Peaking Lights – Lucifer Dub
After two pleasingly blissed out bass driven pop albums this venture into dub territory, was the logical next step and with it Peaking Lights appear to have made the album that's been lurking within them all along.

9.    Iggy Pop – Apres
Iggy Pop sounding far more comfortable rumbling through a set of easy listening standards, that being a Stooge and following up some of the finer moments from 'Avenue B'.

10.    Jah Wobble & Keith Levine – Ying & Yang
It’s difficult not to like anything with that internal organ shaking bass, and here Wobble & Levine have come up with a far more interesting album than PiL’s ‘This Is PiL’.

11.    Meteors – Doing The Lords Work
You know what you’re getting with The Meteors.  That doesn’t make it any less welcome.  When you can play a guitar like Paul Fenech, this is what you should be doing.  Not sure about their cover of ‘Paranoid’ but time spent listening to Fenech play guitar is never wasted.

12.    The Orb and Lee Perry
Worth a mention, just for the wonderfully bizarre partnership.  Working with The Orb makes Lee Perry look like a regular guy.  Well, almost...

13.    Joy Division – Warsaw
Not new.  Not from 2012 and not even an official release. But inspired by catching Peter Hook’s The Light, I went back to this album, one I probably hadn’t heard in years, and found it stands up rather well.

Bubbling under;
Stan Ridgeway – Mr. Trouble; clearly being indulged in the hope he turns into Tom Waits,
Brian Jonestown Massacre –
Aufheben; more drone rock par excellence.

Push comes to shove, Killing Joke, Mark Lanegan Band and Guile make the top three, in no particular order.  

But overall I'm going with 'Blues Funeral' as the stand out album of 2012.


Friday

Mark Lanegan talks to Tea & Toast & Rock & Roll...

Well, OK that's pushing it a bit, I was wearing my Louder Than War hat at the time.  But I got to sit down with Mark before his recent gig in Wolverhampton and talked about the success of 'Blues Funeral', his up coming anthology and the Gun Club.

Mark also revealed that he's planning to record a new album of covers and will be reconvening with Greg Dulli for another Gutter Twins album.  But not before completing another Mark Lanegan Band record.

Quite a work ethic for a supposedly laid back character!

Read the full interview here.

Wednesday

Lost In Music - Mark Lanegan Band, Institute, Birmingham

You're album's riding the crest of a critical wave that already suggests 'Blues Funeral' will be recognised as one of the best of the year and demand for tickets for tonight's show has been strong enough to see the gig upgraded to the main room at the HMV Institute and yet as Mark Lanegan follows his band onstage he seems to wince in embarrassment at the roar that greets him.

Curious behaviour from a seasoned performer.  No acknowledgment to the crowd by word or deed, not even a pause to bask in the moment.  Yet this is a man with seven solo albums to his name stretching back to 1990.  And that's not even considering the plethora of collaborations, side projects and guest vocalist recordings and gigs to his name.

As has been well documented, until fairly recently, Lanegan operated in something of an 'altered state'.  James Dean Bradfield has claimed that despite having done an entire US tour together, Lanegan did not speak to him once during the course of their weeks in close proximity!

Now despite the bedraggled appearance Lanegan is clean and yet still his onstage persona is that of a man who would rather be someplace, anyplace else.

Hanging off the mike stand staring intently at a spot on the stage about a yard to his right - his default setting between songs - you almost wonder if he can go through with this.  By a cruel irony we have come to see a man seemingly crippled by nerves.

Then the magic starts.  As the band kick into 'Can't Come Down' Lanegan opens his mouth and out comes THAT voice.  That husky, death rattle barritone that seems to at once, envelope and threaten the listener.  And we know why we are here.